Services
We offer services from media recording to a big production, we go through dailies process and help you create a whole pipeline! We give emotion and feeling through Color grading and do the final distribution. We also have limited archive services.
Color Grading
We give emotion to their productions. We recreate or develop looks from scratch to help you tell your story.
Standard-dynamic-range (SDR) video is a video technology which represents light intensity based on the brightness, contrast and color characteristics and limitations of a cathode ray tube (CRT) display. SDR video is able to represent a video or picture’s colors with a maximum luminance around 100 cd/m2, a black level around 0.1 cd/m2 and Rec.709 / sRGB color gamut. It uses the gamma curve as its electro-optical transfer function.
Movie theatres can keep ambient light almost entirely at bay. Their powerful digital projectors are the only direct light source in the room. On top of that, the projectors in digital cinema packages have a high number of lumens. Movie theaters use the brightest film projection technology for their projectors.
High Dynamic Range (HDR) televisions have much brighter highlights than the TVs and movie projectors of the past 50 years. This extra brightness creates more immersive images for the audience. In addition, HDR is often coupled with Wide Color Gamut images, making the brighter images more colorful.
As Dolby Vision can deliver higher dynamic range with a wider color gamut, and at a greater bit depth than SDR delivery systems, ensuring these wider ranges are captured at the onset, is important to creating the best Dolby Vision masters.
Picture Mastering + Deliverables
We take your production and transport it to Davinci Resolve, do timeline conformance, color correction and final VDM export with 5.1 or 7.1 audio technology.
One of the most requested formats is a 16-bit TIFF image sequence. A file with excellent quality and required for later transcoding for distribution.
Interoperable Master Format files are created from an MXF made of 2000s jpeg. This package contains a sequence of images and an XML, in order to create a compact package for distribution.
Apple ProRes 4444 XQ is the highest-quality version of Apple ProRes for 4:4:4:4 image sources (including alpha channels). This format has a very high data rate to preserve the detail in high-dynamic-range imagery generated by today’s highest-quality digital image sensors.
A file named ‘Graded Archival Master’. It incorporates the grading, but without any display transform and has enough information to make new versions from this file.
ACES AP0
Linear Range 1.0
Source Camera Space with Log Curve
The original camera log encoding
Source Camera Space with Linear Curve
This variant has the original camera primaries with a linear range 1.0
The purpose of a NAM is to preserve the final picture of a title in a high quality agnostic format limited only by the original source in order to allow for a lossless starting point in generating future derivative masters.
There are two versions of Dolby Vision namely, CMv2.9 and CMv4.0. CMv4.0 uses improved algorithms and an advanced and more complex tone curve that allows for better mapping and more controls during the Dolby Vision trim pass process.
Archive
We provide storage to keep your production for a limited time. We archive original media, VDM archive and NAM archive.
The purpose of a NAM is to preserve the final picture of a title in a high quality agnostic format limited only by the original source in order to allow for a lossless starting point in generating future derivative masters.
Video Display Master (VDM) is the full resolution, full quality version of your final edited video.
Dailies are the unedited footage for a movie or TV show that is collected at the end of each day for viewing by select above-the-line members of the film crew.
We save all external VFX shots that are delivered after the project is submitted to color grading.
Develop Pipeline VFX + Color
We help you develop a working Pipeline to ensure the quality of your project at the time of integration with VFX. We help you establish a Color Space and Gamut for everyone.
We assist in the development of the integration with the VFX team to maintain maximum quality. Color Science will be a great help to do the color management of visual effects.
We work with a system that retains maximum quality between the VFX and Color Grading team. We use EXR files with a special characteristics
One of the best ways to collaborate is to use ACES. This way the VFX and Color Grading team will always be on the same path.
Some of the most common problems arise when VFX software uses linear as a building block. We help you create a working pipeline to avoid mistakes and have a final result with maximum resolution.